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Soloist's
Biographies
SARAH JANE MCMAHON
Swiftly gaining recognition for her beautiful
“vocal sophistication” and sparkling stage presence,
soprano SARAH JANE McMAHON, who made
her New York City Opera début in 2006 as Galatea
in Handel’s Acis and Galatea and subsequently
received the company’s coveted Kolozsvar Award,
opened the organization’s spring season this year
in Purcell’s King Arthur, receiving praise for her
“silvery-voiced soprano” and “real star presence.”
Shortly after earning her Master’s Degree in
Music from Yale University, Ms. McMahon was selected by Maestro Placido
Domingo to join the Los Angeles Opera, where she sang with the celebrated
tenor as the Fifth Flower Maiden in Parsifal and afterwards appeared in such other
roles as Naiad in Ariadne auf Naxos and The Milliner in Der Rosenkavalier. And
in addition to her work with the Los Angeles and New York City Operas, she has
also sung with a number of other distinguished companies, including the New
Orleans Opera, the Grand Rapids Opera, the Washington Concert Opera, the
Opera Theater of Connecticut, and the Des Moines Metro Opera.
Recent concert appearances have included the opening of New York City
Opera’s 2007 Season as Mabel in The Pirates of Penzance, the role of Donna Clara,
the Infanta, in Der Zwerg at Bard SummerScape Festival, Carmina Burana at Avery
Fisher Hall, The Rutter Requiem at Carnegie Hall, a New Year’s Eve Gala with the
New Orleans Opera, and Yum-Yum in The Mikado and Mabel in The Pirates of
Penzance with the Colorado Symphony. And New York audiences have enjoyed
her appearances in Scott Seigel’s Broadway by the Year 1959, Broadway Unplugged,
and A Night at the Operetta at New York’s Town Hall, for which Opera News praised her “beauty pageant looks” and “superb, stylish rendition” of “One Kiss.”
Ms. McMahon’s upcoming engagements include Clara in The Light in the
Piazza with the Piedmont Opera, A Tribute to Lerner and Loewe Concert at Town
Hall, NYC, Zerlina in Don Giovanni with the Virginia Opera, appearances with
the Central City Opera as Lucia in Britten’s Rape of Lucretia and Maria in West
Side Story, a return to the New Orleans Opera as Micaela, Gilda in Verdi’s Rigoletto with the Mississippi Opera, and a Gala Concert with Placido Domingo.

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